Monday, September 22, 2014

Round Robin


AlienZ


All Zib wanted was to play baseball. 

Even though baseball is for humans, 

he wanted to prove to his friends that 

it was more fun than toxic toss. 





Toxic toss was a violent game for violent little aliens. 
Zib loved baseball because there was no chance of decapitation. 




Of course, like always, 

Toxic Toss was the game of choice. 

And, like always, Xenon lost another eye.




Xenon's third eye was her most precious,

 for with it she could see the past and future.




And with it she saw the pain of the past, 

present, and future. Eventually, overwhelmed, 

her third eye lost its sight and she lived forever in darkness.


Artist Statement

Though each of us went to different schools, we all share a collective dread for group projects. The fear that fueled this ranged from doing all the work to not even being heard. The “Tiny Story” assignment allowed us to experience group work in a different way. Instead of picking apart each other’s visions, we were allowed more individual freedom for creativity. Influenced only by a few lines and picture, we made each new addition our own. This form of collaborative art leaves room for a more chaotic form of creativity, which provides a more unique and spontaneous outcome than the Hunger Games of opinions that traditional group work dictates.
A film that immediately comes to mind is Adam Shankman’s Bedtime Stories. While Skeeter attempts to control the outcome of his stories, it is the children’s input that matters. His stories become the basis for their additions that end up coming true. Similarly, we were each given a section of text and one image to influence our own contribution, but it could be taken in any direction we chose. Our stories were created by combining everyone’s different interpretations. This kind of collaboration gives the artist control only over their designated portion. The story is meant to grow like a completely separate entity, similar to the ideas set forth in the “Exquisite Corpse” article.  As the article explores, many works today are collaborative and are affected by works we have previously experienced. The idea of original work has to account for the truth that we cannot escape these influences. Additionally, as we see in both Bedtime Stories and “Exquisite Corpse”, the creators of media must set free their direction and control. They sometimes have to trust that their vision will still be acknowledged, but the path may be altered. We must also accept that our vision might never turn out how we originally plan it.
The twitter account gives a strong example of the Round Robin stories technique in new media form. While the exquisite corpse is the more traditional version of the project we attempted, the twitter account shares short stories with people around the world, and thus receives varying feedback. The public forum in which art is shared today allows for even more creativity and development than was available to generations past. It also speaks to the influence that so few words can have on readers. Short stories are powerful no matter the setting they are shared in, and the Short Stories Twitter Account proves that.
None of these stories concluded the way we originally intended. Once a story began, the original author relinquished all control over the outcome. You can’t guarantee a positive outcome in a group project, but we’ve found that this project had a surprisingly good ending, proving that putting faith in each other’s creativity can pay off in the long run.  

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